Special Issue of Narrative Culture: Thinking with Stories in Times of Conflict

Volume 6, Number 2, Fall 2019

Special Issue: Thinking with Stories in Times of Conflict

Preface
Cristina Bacchilega and Anne E. Duggan
 

Camera Obscura and Zoetrope: Tarsem and Magic/Reality in Transcultural Fairy-Tale Film
Pauline Greenhill
 

Revolutionary America from Concord and Lexington to Ferguson: Folk Transmediation of Historical Storytelling
Anne Kustritz
 

Rodgers and Hammerstein’s Cinderella: Agency and Possibility amidst Conflict and Wonder
Jill Terry Rudy
 

Disney’s Moana, the Colonial Screenplay, and Indigenous Labor Extraction in Hollywood Fantasy Films
Ida Yoshinaga [Temporarily available without a subscription]
 

The Fag End of Fāgogo
Dan Taulapapa McMullin
 

Moʻolelo as Resistance: The Kaona of “Kahalaopuna” in a Colonized Environment
J. Uluwehi Hopkins

Narrative Culture claims narration as a broad and pervasive human practice, warranting a holistic perspective to grasp its place comparatively across time and space. Inviting contributions that document, discuss, and theorize narrative culture, the journal seeks to offer a platform that integrates approaches spread across numerous disciplines. The field of narrative culture thus outlined is defined by a large variety of forms of popular narratives, including not only oral and written texts, but also narratives in images, three-dimensional art, customs, rituals, drama, dance, music, and so forth. Narrative Culture is available online through JSTOR and in print from Wayne State University Press.